In Sarawak, Tuak has always been more than just alcohol.
It represents celebration, gathering, harvest, and culture.
Whether it's a Gawai festival, a family gathering, or a joyous occasion with friends, Tuak has always been a genuine connection between people.
But as times change, traditional Tuak has gradually become confined to the image of "an older generation's drink."
Young people are increasingly exposed to international alcohol brands, but few truly understand Malaysia's own traditional drinking culture.
Thus, Drunken Paddy was born.
The name Drunken Paddy comes from "Paddy"—rice.
Because the soul of Tuak originates from rice paddies, the land, and the culture of harvest.
We hope to bring traditional Sarawak Tuak back into the lives of the younger generation.
Not to change its culture, but to reinterpret it in a new way.
We preserve Tuak's cultural roots,
while incorporating modern brand design, youthful flavors, and a lifestyle experience,
making it more than just a traditional festive drink,
it's a modern cultural beverage that can be found at parties, music events, cafes, bars, and social settings.
Drunken Paddy believes: Local culture shouldn't be stuck in the past.
Tradition can be fashionable.
Malaysia can also have its own modern alcohol brands.
This is more than just selling alcohol.
It's about bringing Sarawak culture back to the world in a new generation's way.
在砂拉越,Tuak 从来不只是酒。
它代表庆祝、团聚、丰收与文化。
无论是在 Gawai 节庆、家庭聚会,还是朋友之间的欢庆时刻,Tuak 一直都是人与人之间最真实的连接。
但随着时代改变,传统 Tuak 逐渐被局限在“老一辈的酒”印象里。
年轻人开始接触越来越多国际酒精品牌,却很少真正了解属于马来西亚自己的传统酒文化。
于是,Drunken Paddy 诞生了。
Drunken Paddy 的名字来自 “Paddy” —— 稻米。
因为 Tuak 的灵魂,本来就来自稻田、土地与丰收文化。
我们希望把传统砂拉越 Tuak,重新带回年轻世代的生活里。
不是改变它的文化,而是用新的方式重新诠释它。
我们保留 Tuak 的文化根源,
同时加入现代品牌设计、年轻化口味与 Lifestyle 体验,
让它不再只是传统节庆饮品,
而是一种可以出现在聚会、音乐活动、Cafe、Bar 与社交场景里的现代文化酒饮。
Drunken Paddy 相信:
本地文化不应该停留在过去。
传统,也可以很时尚。
马来西亚,也可以拥有属于自己的现代酒精品牌。
这不只是卖酒。
这是把砂拉越文化,以新世代的方式,重新带给世界。
Every brand begins with an idea.
Ours began with a question:
Why had so many people in West Malaysia heard of Tuak, yet so few had truly experienced it?
I grew up knowing Tuak as something connected to Sarawak—not only as a drink, but as part of celebrations, hospitality and the moments shared among family and friends.
But after coming to Penang, I began to notice how differently people understood it.
Some had heard the name but had never tasted it. Some confused it with toddy or sake. Others imagined that Tuak was simply a very strong homemade alcohol.
The more conversations I had, the more I realised that Tuak was not completely unknown here.
It was simply misunderstood.
At first, the idea was not to build a large alcohol company.
I just wanted to find a way for more people to experience Tuak.
What if Tuak could be introduced in a way that felt approachable to someone trying it for the first time?
What if people could enjoy the flavour while also learning about the traditions, hospitality and sense of community connected to it?
And what if a small brand from Penang could help carry a piece of Sarawak’s story forward?
Those questions eventually became the beginning of Drunken Paddy.
When Drunken Paddy began, we did not have every answer.
There was no large team, perfect production system or unlimited budget behind us. There were only early batches, small experiments and the decision to begin with what we had.
Our approach was simple:
Start first, then keep improving.
We learned by making. We adjusted through feedback. We discovered what first-time drinkers enjoyed, what made them curious and what they wanted to understand about Tuak.
Some lessons came from the fermentation process. Others came from standing at markets and speaking directly with customers.
Every conversation helped shape what Drunken Paddy would become.
Markets became one of the most important parts of our journey.
They allowed us to watch someone taste Tuak for the first time and see their expectations change almost immediately.
We heard questions such as:
“Is Tuak the same as toddy?”
“Is it very strong?”
“Why does it taste smoother than I expected?”
Those moments showed us that introducing Tuak was not only about offering a sample.
It was about creating a conversation.
A bottle could attract someone’s curiosity, but the story helped them understand what they were drinking.
As we continued, we began exploring different expressions of Tuak.
Classic represented a familiar starting point. Flavours such as Pandan and Tuak Tebu offered new ways for people to approach the drink through ingredients they already recognised.
These flavours were not created to replace traditional Tuak.
They were created as different entry points—ways for more people to become curious, take their first sip and eventually discover the larger culture surrounding it.
For us, innovation and tradition do not have to compete.
Innovation can help a tradition continue its journey.
Drunken Paddy did not begin with a perfect business plan.
It began with curiosity, a cultural connection and the belief that Tuak deserved to be better understood.
Today, that original idea continues to guide us.
We are still experimenting. Still learning from every batch. Still answering questions at markets. Still discovering how to introduce Tuak to new people while respecting the place and traditions it comes from.
The journey is happening one bottle, one market and one conversation at a time.
And in many ways, we are still only at the beginning.
This is another page in Paddy’s journey—and we’re glad you’re part of it.